QUOTATION REFERENCES

(revision 10-11-05)

These quotation references should be read in conjunction with the hardback text, and the printed bibliographic information at the end of the book. Numbers refer to page numbers in the text. AI = AuthorÕs interview; E = Email with author; Occasionally (and inconsistently) I call out a bit of information in brackets [] instead of quotes when I chose to give a reference for information but not a quotation from the text. Some additional web references of interest sometimes are inserted as appropriate.

 

Chapter 1: The Mythology of George

3                    Ò[George Cukor once] said ÔIÕm not a film-maker...Ó Farber, Stephen. ÒGeorge Lucas: The Stinky Kid Hits the Big Time,Ó Film Quarterly, Vol 27, No. 3. Spring 1974.

3                    ÒIÕm not a technological guy at all...Ó: George Lucas, AI, 4/28/04.

3                    ÒIÕm just somebody who wants to make movies...Ó Ibid.

4                    Òmentor/tormentorÓ: Thomas Brown, AI, 6/21/02.

5                    ÒWe respect each other...Ó: Vallely, Jean. ÒThe Empire Strikes Back and So Does Filmmaker George Lucas with his Sequel to Star Wars,Ó Rolling Stone, June 12, 1980.

5                    Òfuturistic plant that would place filmmaking squarely in the technological eraÉÓ: Knapp, Dan. ÒA Visit with Francis Ford Coppola,Ó Performing Arts, June 1970, Vol 4, No. 6.

5                    ÒThe reason for all this stuff...Ó : Ibid.

5                    ÒWe can bounce ideas off each otherÉÓ: Farber, Stephen. ÒGeorge Lucas: The Stinky Kid Hits the Big Time,Ó Film Quarterly, Vol 27, No. 3. Spring 1974.

5                    ÒThe fact that heÕs always doing crazy things influences meÉÒ: Vallely, Jean. ÒThe Empire Strikes Back and So Does Filmmaker George Lucas with his Sequel to Star Wars,Ó Rolling Stone, June 12, 1980.

5                    ÒFrancis and I were both very interestedÉÓ: George Lucas, AI, 4/28/04.

5                    ÒItÕs like the period in the late 15th centuryÉÓ: Ibid.

5                    ÒAnd then along came oil paintingÉÓ: Ibid.

6                    ÒAll art is technologyÉÓ: Ibid.

7                    ÒI was as normal as you can getÉÓ: Harmetz, Aljean. ÒBurden of Dreams: George Lucas,Ó American Film, June 1983.

7                    ÒI really wanted to go to art schoolÉÓ: Yarish, Alice. ÒGeorge LucasÑhell-raiser to millionaire,Ó San Francisco Examiner, Feb. 20, 1980.

7                    ÒI met him and I naturally liked anybodyÉÓ: Haskel Wexler, AI, 12/3/04.

8                    ÒI sensed a guyÉÓ: Ibid.

8                    ÒÉI just turned my back on HollywoodÉÓ: ÒGeorge Lucas, Maker of Films,Ó PBS interview/documentary 1971.

9                    ÒAll my friends thought I was crazyÉÓ: Farber, Stephen. ÒGeorge Lucas: The Stinky Kid Hits the Big Time,Ó Film Quarterly, Vol 27, No. 3. Spring 1974.

10                ÒWhen I went in, I just kinda ambled inÉÓ: ÒGeorge Lucas, Maker of Films,Ó PBS interview/documentary 1971.

10                [his first student film festival prize]: Kline, Sally (ed). George Lucas Interviews. University Press of Mississippi, 1999, p65.

10                [seventeen other awards]: Salewicz, Chris. George Lucas Close UpÑThe Making of His Movies. ThunderÕs Mouth Press, New York, 1999, p13.

10                ÒIt wasnÕt moviesÉÓ : ÒGeorge Lucas, Maker of Films,Ó PBS interview/documentary 1971.

10                ÒI realized I had found myselfÉÓ: Champlin, Charles. George LucasÑThe Creative Impulse. Harry N. Abrams Inc., USA, 1992, p18.

10                ÒThe only school for the cinemaÉÓ: Roberts, Kenneth H and Sharples, Win Jr. A Primer for Film-Making; A Complete Guide to 16 and 35mm Film Production. Bobbs-Merrill Company, USA, 1976, p 491.

11                ÒEveryone did itÉÓ gwlHx3wPuB

11                ÒI was introduced to film editingÉÓ: Champlin, Charles. George LucasÑThe Creative Impulse. Harry N. Abrams Inc., USA, 1992, p18.

12                ÒI was an editing freakÉÓ: Pye, Michael and Miles, Linda. The Movie Brats: How the film generation took over Hollywood. Holt, Rinehart, and Winston, 1979

13                ÒMaybe I heard thingsÉÓ: Ondaatje, Michael. The ConversationsÑWalter Murch and the Art of Editing Film. Alfred A. Knopf, New York, 2002, p6.

13                Òthink of all the money weÕll saveÉÓ: Ibid. Paraphrased, p6

13                ÒI discovered then that editing imagesÉÓ: Ibid. p9

14                [new wave info] ÒThe French New WaveÓ by Stephen Nottingham. http://ourworld.compuserve.com/homepages/Stephen_Nottingham/cintxt2.htm

14                [addÕl new wave info]  http://www.moviemaker.com/issues/47/frenchnew.html

14                [addÕl new wave info] http://www.harvardfilmarchive.org/calendars/02mayjune/newwave.html

15                Òevery film student on the planet...Ó: Legacy of Filmmakers: The Early Years of American Zoetrope,Ó produced, written and directed by Gary Leva; © 2004 Warner Bros. Entertainment, Inc.

15                [sound and men] Ondaatje, Michael. The ConversationsÑWalter Murch and the Art of Editing Film. Alfred A. Knopf, New York, 2002, p26.

15                [Cristiani] AI, Gabriella Cristiana, n.d. 1990

15-16     [Fields biography] from Peary, Gerald. ÒVerna Fields.Ó The Real PaperÑOct. 23, 1980. www.geraldpeary.com/essays/def/fields-verna.html

16                ÒI had these unmarked airportsÉÓ: Ibid.

16                ÒFields was famousÉÓ: Entire paragraph and Fields quote paraphrased from Biskind, Peter. Easy Riders, Raging Bulls. Bloomsbury, London, 1998, p.237.

16                ÒItÕs a very simple idea...Ó: ÒGeorge Lucas, Maker of Films,Ó PBS interview/documentary 1971.

17                ÒWith documentary films, I got used to shooting a ton of material...Ó: Hearn, Marcus. The Cinema of George Lucas. Harry N. Abrams Inc., New York, 2005, p 25.

18                ÒAs we were going in for our final interviewÉÓ: Ondaatje, Michael. The ConversationsÑWalter Murch and the Art of Editing Film. Alfred A. Knopf, New York, 2002, p13.

 

Chapter 2: Road Trip

19                ÒPeople are hampered by moneyÉÓ: Cowie, Peter. Coppola. Andre Deutsch Ltd, London, 1989, p. 43. (quote from a conversation with writer Gay Talese).

19                ÒSo I decided I was going to risk it allÉÓ: Ibid  p.33.

20                [Background]: Biskind, Peter. Easy Riders, Raging Bulls. Bloomsbury, London, 1998, p35.

21                ÒWith it came the big time wayÉÓ gwlHx3wPuB

21                ÒFrancis was the kind of directorÉÓ: Howard Kazanjian, AI, 10/28/04.

21                ÒWeÕd sit aroundÉÓ: Ibid.

21                ÒHey IÕm here on the lotÉÓ: Ibid. Conversation recounted by Kazanjian.

22                ÒSee anything interesting?Ó: Conversation recounted by Coppola in -- Champlin, Charles. George LucasÑThe Creative Impulse. Harry N. Abrams Inc., USA, 1992.

23                Òvery anti-story, anti-character kind of guyÉÓ: Ondaatje, Michael. The ConversationsÑWalter Murch and the Art of Editing Film. Alfred A. Knopf, New York, 2002, p18.

23                ÒIÕm trying to see what itÕs all aboutÉÓ: ÒGeorge Lucas, Maker of Films,Ó PBS interview/documentary 1971.

23               ÒIÕm not a good writerÉÓ: Sturhahn, Larry.Ó The Filming of American Graffiti,Ó FilmmakerÕs Newsletter, March 1974.

23                ÒYou have to learn to writeÉÓ: gwlHx3wPuB.

23                ÒI was acting irresponsiblyÉÓ: ÒFilmmaker: A Diary by George Lucas,Ó 1970

23                ÒFrancis could sell ice to EskimosÉÓ: Biskind, Peter. Easy Riders, Raging Bulls. Bloomsbury, London, 1998, p90.

24                [Mame info]: Karman, Mal. ÒFrancis Ford Coppola,Ó San Francisco Magazine, May 1973.

25                ÒUnless you can get the police...Ó: ÒFilmmaker: A Diary by George Lucas,Ó 1970

26                ÒA lot of my friendsÉÓ: ÒIbid.

26                ÒThe point is, I tried as honestly as I couldÉÓ: Ibid.

26                ÒObviously the concept of a filmmakerÉÓ: Ibid.

27                ÒWe began to feel like Robin HoodÉÓ: Cowie, Peter. Coppola. Andre Deutsch Ltd, London, 1989, p56.

27                ÒFrancis walked in and saw two arc projectors...Ó: Legacy of Filmmakers: The Early Years of American Zoetrope,Ó produced, written and directed by Gary Leva; © 2004 Warner Bros. Entertainment, Inc.

27                ÒThey said this is exactlyÉÓ: Pollock, Dale. Skywalking: The Life and Films of George Lucas. Da Capo Press, New York, 1999, p85

27                ÒHe inspired us both...Ó: Cowie, Peter. Coppola. Andre Deutsch Ltd, London, 1989, p57.

27                ÒI kinda went a little crazy...Ó: Legacy of Filmmakers: The Early Years of American Zoetrope,Ó produced, written and directed by Gary Leva; © 2004 Warner Bros. Entertainment, Inc.

28                ÒI had this notion...Ó: Pollock, Dale. Skywalking: The Life and Films of George Lucas. Da Capo Press, New York, 1999, p86

28                [Dropping almost $100,000 overnight]: Biskind, Peter. Easy Riders, Raging Bulls. Bloomsbury, London, 1998, p91. Cross referenced with a variety of sources.

28                Knickerbocker, Paine. ÒA Lively New Movie-Making Project for the City,Ó San Francisco Chronicle, Oct. 1969.

27                [tons of new equipment] Cowie, Peter. Coppola. Andre Deutsch Ltd, London, 1989, p57.

28                [Laterna] Biskind, Peter. Easy Riders, Raging Bulls. Bloomsbury, London, 1998, p91.

28                ÒThe many bedrooms...Ó: Quote by Coppola from the forward to -- Champlin, Charles. George LucasÑThe Creative Impulse. Harry N. Abrams Inc., USA, 1992.

29                ÒIt was a beautiful place to live...Ó: Pollock, Dale. Skywalking: The Life and Films of George Lucas. Da Capo Press, New York, 1999, p85

28                [Laterna]: Legacy of Filmmakers: The Early Years of American Zoetrope,Ó produced, written and directed by Gary Leva; © 2004 Warner Bros. Entertainment, Inc.

28                ÒI was thrilled to see a beautiful old mansion...Ó Ibid.

28                ÒGeorge and I fantasized...Ó: Quote by Coppola from the forward to -- Champlin, Charles. George LucasÑThe Creative Impulse. Harry N. Abrams Inc., USA, 1992.

29                ÒWe were a new generation...Ó: Legacy of Filmmakers: The Early Years of American Zoetrope,Ó produced, written and directed by Gary Leva; © 2004 Warner Bros. Entertainment, Inc.

28                ÒThere was no way...Ó: Ibid.

29                [data] AZ Financial Statement as of 1/31/70

30                Ò[After Mr. Jordan], Coppola plans to take off...Ó: ÒCoppola to Set Up Frisco Filmery,Ó Daily Variety, Nov. 27, 1968.

30                ÒDo you know anybodyÉÓ: Lucas recalling conversation with Coppola from -- Ondaatje, Michael. The ConversationsÑWalter Murch and the Art of Editing Film. Alfred A. Knopf, New York, 2002, p18.

30                ÒFrancis needed somebody...Ó: Ondaatje, Michael. The ConversationsÑWalter Murch and the Art of Editing Film. Alfred A. Knopf, New York, 2002, p13.

30                ÒHere it isÉÓ: Tom Scott, E, paraphrasing conversation between Murch and Malkin.

31                Ò[Francis] didnÕt know me...Ó Cowie, Peter. Coppola. Andre Deutsch Ltd, London, 1989, p 55.

32                ÒThe lesson of Easy Rider...Ó: Sweeney, Louise. ÒThe Movie Business is Alive and Well and Living in San Francisco,Ó Show, April 1970, p34.

32                [data] Ondaatje, Michael. The ConversationsÑWalter Murch and the Art of Editing Film. Alfred A. Knopf, New York, 2002, p20.

32                ÒWe got a lot of new equipment...Ó: ÒGeorge Lucas, Maker of Films,Ó PBS interview/documentary 1971.

32                ÒI want editing equipment...Ó: Knapp, Dan. ÒA Visit with Francis Ford Coppola,Ó Performing Arts, June 1970, Vol 4, No. 6.

32                ÒSomeday, [Lucas] predicts...Ó: Blum, Walter. ÒA Director with New Directions,Ó San Francisco Sunday Examiner and Chronicle, Feb. 1, 1970.

32                ÒTechnology obsessed Francis...Ó: Cowie, Peter. Coppola. Andre Deutsch Ltd, London, 1989, p16.

33                ÒYou had to admire a guyÉÓ: Biskind, Peter. Easy Riders, Raging Bulls. Bloomsbury, London, 1998, p92.

33                [data] Knapp, Dan. ÒA Visit with Francis Ford Coppola,Ó Performing Arts, June 1970, Vol 4, No. 6.

33                [General] Biskind, Peter. Easy Riders, Raging Bulls. Bloomsbury, London, 1998, p91.

33                [General] Sweeney, Louise. ÒThe Movie Business is Alive and Well and Living in San Francisco,Ó Show, April 1970, p3.

33                [data]: Blum, Walter. ÒA Director with New Directions,Ó San Francisco Sunday Examiner and Chronicle, Feb. 1, 1970.

34                [data]: http://slick.org/deathwatch/mailarchive/msg00829.html

34                ÒIs there anybody...Ó: Lucas recounting conversation with Coppola from -- Ondaatje, Michael. The ConversationsÑWalter Murch and the Art of Editing Film. Alfred A. Knopf, New York, 2002, p19.

35                ÒWhen George saw 21-87ÉÓ: Silberman, Steve. ÒLife After Darth,Ó Wired, May 2005.

35                Òall interesting, adventurous scripts...Ó: Farber, Stephen. ÒGeorge Lucas: The Stinky Kid Hits the Big Time,Ó Film Quarterly, Vol 27, No. 3. Spring 1974.

35                [data]: Stone, Judy. ÒGeorge Lucas,Ó San Francisco Chronicle, May 23, 1971.

35                ÒWe wanted the whole picture...Ó: American Cinematographer, 10/71

36                ÒBecause of this...Ó: American Cinematographer, 10/71

36                ÒFrancis was letting me do whatever I wanted...Ó: ÒGeorge Lucas, Maker of Films,Ó PBS interview/documentary 1971.

36                ÒSince I planned to edit the picture myself...Ó gwlHx3wPuB

36                [data]:  UPI 5/5/70

36                Òprobably the most advanced filmmaking facility...Ó: CVB Newsletter, 12/23/69

36                ÒThis is a true capitalistic venture...Ó: Sweeney, Louise. ÒThe Movie Business is Alive and Well and Living in San Francisco,Ó Show, April 1970.

37                ÒThe measure of American ZoetropeÕs promise...Ó: Caen, Herb. San Francisco Chronicle, Jan. 8, 1970.

37                ÒIt all seemed terribly chic...Ó: Nachman, Gerald. ÒCoppola of ZoetropeÑOlder, Wiser and Poorer,Ó San Francisco Chronicle, 1971.

37                ÒI go out of the cage...Ó: Sweeney, Louise. ÒThe Movie Business is Alive and Well and Living in San Francisco,Ó Show, April 1970, p82.

37                [data]:  Knapp, Dan. ÒA Visit with Francis Ford Coppola,Ó Performing Arts, June 1970, Vol 4, No. 6.

38                ÒCoppola envisionsÉÓ: Ibid.

38                ÒZoetrope has already employed...Ó: Knapp, Dan. ÒA Visit with Francis Ford Coppola,Ó Performing Arts, June 1970, Vol 4, No. 6.

39                ÒThis is all junkÉÓ: GWL paraphrasing the studios; Vallely, Jean. ÒThe Empire Strikes Back and So Does Filmmaker George Lucas with his Sequel to Star Wars,Ó Rolling Stone, June 12, 1980.

39                Ò[Warners] went back to hard-core entertainment films...Ó: Farber, Stephen. ÒGeorge Lucas: The Stinky Kid Hits the Big Time,Ó Film Quarterly, Vol 27, No. 3. Spring 1974.

39                ÒQuiet once more descended...Ó: Nachman, Gerald. ÒCoppola of ZoetropeÑOlder, Wiser and Poorer,Ó San Francisco Chronicle, 1971.

 

Chapter 3: The Restoration

41                ÒOne thing that comesÉÓ: Campbell, Joseph. The Power of Myth. Doubleday, New York, 1988.

41                ÒItÕs been an interestingÉÓ: Nachman, Gerald. ÒCoppola of ZoetropeÑOlder, Wiser and Poorer,Ó San Francisco Chronicle, 1971.

41                [The deal with Paramount was]: Bergan, Ronald. Francis Ford Coppola Close UpÑThe Making of His Movies. ThunderÕs Mouth Press, New York, 1997, p38.

41                ÒA lot of people thoughtÉÓ: Nachman, Gerald. ÒCoppola of ZoetropeÑOlder, Wiser and Poorer,Ó San Francisco Chronicle, 1971.

42                ÒI was left high and dryÉÓ: Vallely, Jean. ÒThe Empire Strikes Back and So Does Filmmaker George Lucas with his Sequel to Star Wars,Ó Rolling Stone, June 12, 1980.

42                Òa solemn bearded manÉÓ: Pollock, Dale. Skywalking: The Life and Films of George Lucas. Da Capo Press, New York, 1999.

44                ÒLucas is preparing anotherÉÓ: Knapp, Dan. ÒA Visit with Francis Ford Coppola,Ó Performing Arts, June 1970, Vol 4, No. 6.

43                ÒYou can do betterÉÓ: http://www.cinescene.com/dash/lumiere.html

43                ÒThe cinema isÉÓ: http://www.holonet.khm.de/visual_alchemy/lumiere.html

47                [A Warhol Mao silkscreen]: Biskind, Peter. Easy Riders, Raging Bulls. Bloomsbury, London, 1998. p167.

47                ÒI was getting a lot of razzÉÓ: Vallely, Jean. ÒThe Empire Strikes Back and So Does Filmmaker George Lucas with his Sequel to Star Wars,Ó Rolling Stone, June 12, 1980.

48                ÒYou could see the wayÉÓ: Ibid.

48                ÒThis movie is notÉÓ: Ibid.

49                ÒThere was no reasonÉÓ: Farber, Stephen. ÒGeorge Lucas: The Stinky Kid Hits the Big Time,Ó Film Quarterly, Vol 27, No. 3. Spring 1974.

49                Òa horror film aboutÉÓ: Knapp, Dan. ÒA Visit with Francis Ford Coppola,Ó Performing Arts, June 1970, Vol 4, No. 6.

49                [Walter Murch double-timed]: Ondaatje, Michael. The ConversationsÑWalter Murch and the Art of Editing Film. Alfred A. Knopf, New York, 2002, p166.

49                [He bought a radio station]: Biskind, Peter. Easy Riders, Raging Bulls. Bloomsbury, London, 1998, p167.

50               ÒWhen the idea took himÉÓ: Clouzot, Claire. ÒThe Morning of the Magician: George Lucas and Star Wars,Ó Ercan, Sept. 15, 1977 (Translated from French by Alisa Belanger).

50                ÒItÕs James Bond and 2001ÉÓ: Farber, Stephen. ÒGeorge Lucas: The Stinky Kid Hits the Big Time,Ó Film Quarterly, Vol 27, No. 3. Spring 1974.

51                [They turned the dining room]: Deborah Brown Mitchie, AI, 9/23/04.

52                Òhe could make a little wineÉÓ: http://www.niebaum-coppola.com/site.php

52                [He and Eleanor bought]: Bergan, Ronald. Francis Ford Coppola Close UpÑThe Making of His Movies. ThunderÕs Mouth Press, New York, 1997, p52.

53                [While Lucas began to work]: Jenkins, Gary. Empire BuildingÑThe Remarkable Real Life Story of Star Wars. Citadel Press, New Jersey, 1997, p57.

 

Chapter 4: The Star Wars

55                ÒMany people feelÉÓ: 21-87, by Arthur Lipsett Ð (audio track courtesy of Steve Silberman).

55                ÒI took that scriptÉÓ: ÒThe Empire Strikes Back and So Does Filmmaker George Lucas with his Sequel to Star Wars,Ó Rolling Stone, June 12, 1980.

56                ÒI couldnÕt describe in wordsÉÓ: AI, anonymous employee.

57